Program
Monday 09.03
| Speaker | Title | Type | Time | Place | Paper |
|---|---|---|---|---|---|
| Nora Bilalovic Kulset | Welcome | 10:00 | Dokkhuset | ||
| Federico Visi and Atau Tanaka | Towards Assisted Interactive Machine Learning: Exploring Gesture-Sound Mappings Using Reinforcement Learning | Paper | 10:15 | Dokkhuset | |
| Andreas Bergsland | Feedback systems with FM receivers and transmitters as musical instruments | Performance paper | 10:35 | Dokkhuset | |
| BREAK | 11:05 | Dokkhuset | |||
| Nigel Guérin-Garnett | Machines in the Creative Process: Limitations Through Choreography | Colloquial paper | 11:20 | Dokkhuset | |
| Rene Mogensen | SomSwarm 1 computational creativity music improvisation: human-computer co-creativity | Paper | 11:50 | Dokkhuset | |
| Matthew Hughes, Jaime Garcia, Felicity Wilcox, Robert Sazdov, Andrew Johnston and Andrew Bluff | Immerse: Game Engines for Audio-Visual Art in the Future of Ubiquitous Mixed Reality | Paper | 12:10 | Dokkhuset | |
| LUNCH | 12:30 | Cantina at Kunstakademiet | |||
| Øystein Fjeldbo and Diana Lindbjerg | GJØRME | Performance paper | 13:30 | Dokkhuset | |
| Huan Fan | Performance Liveness: Re-Creating the Every-Time | Colloquial paper | 14:00 | Dokkhuset | |
| BREAK | 14:30 | Dokkhuset | |||
| Luis Arandas, Rui Penha and José Gomes | Directing Selfness – A Step Back from Digital Collaboration on Stage | Performance paper | 14:45 | Dokkhuset | |
| Karolina Jawad and Anna Xambó Sedó | How to Talk of Music Technology: An Interview Analysis Study of Live Interfaces for Music Performance among Expert Women | Paper | 15:15 | Dokkhuset | |
| Evening program | |||||
| Petra Bjørkhaug and Øyvind Brandtsegg | Pipe organ and computer | 19:00 | Nidarosdomen |
Tuesday 10.03
| Speaker | Title | Type | Time | Place | Paper |
|---|---|---|---|---|---|
| Filipe Cunha Monteiro Lopes and Paulo Maria Rodrigues | Plantorumori – first report | Paper | 10:00 | Dokkhuset | |
| Helena Marinho, Rui Penha | Invited talk: Embodied alien. Nobody – no body | Performance paper | 10:20 | Dokkhuset | |
| Bernt Isak Wærstad | Instrument design using machine learning and artificial intelligence | Colloquial paper | 10:50 | Dokkhuset | |
| BREAK | 11:20 | Dokkhuset | |||
| Øyvind Brandtsegg | An interface to an interface to an interface | Paper | 11:35 | Dokkhuset | |
| Marije Baalman | Mapping the question of mapping | Colloquial paper | 11:55 | Dokkhuset | |
| Michael Krzyzaniak, Kyrre Glette, Alexander Refsum Jensenius, Frank Veenstra, Çagri Erdem and Michael Krzyzaniak | Interactive Rhythmic Robots | Installation | 12:25 | Dokkhuset | |
| LUNCH | 12:40 | Cantina at Kunstakademiet | |||
| Tijs Ham | Multiple Minds | Performance paper | 13:40 | Dokkhuset | |
| Elizabeth Wilson, Gyorgy Fazekas and Geraint Wiggins | Collaborative human and machine creative interaction driven through affective response in live coding systems. | Colloquial paper | 14:10 | Dokkhuset | |
| BREAK | 14:40 | Dokkhuset | |||
| Annina Ruest | Bad Mother / Good Mother: an audiovisual performance | Performance paper | 14:55 | Dokkhuset | |
| Luis Leite and Amândio Anastácio | Solitária - Gestural Interface for Puppetry Performance | Paper | 15:25 | Dokkhuset | |
| Evening program | |||||
| Rebecca Fiebrink | Keynote | 19:00 | Rockheim | ||
| Daniel Formo | The Orchestra of Speech, a performance and installation | Performance stage | 20:00 | Rockheim | |
| Federico Ghelli Visi and Aqaxa | You have a new memory | Performance stage | 20:30 | Rockheim | |
| Trond Engum and Carl Haakon Waadeland | Music performance "Magnify the sound" | Performance stage | 20:50 | Rockheim | |
| Franziska Baumann | The Echo I Touch - Performance | Performance stage | 21:20 | Rockheim |
Wednesday 11.03
| Speaker | Title | Type | Time | Place | Paper |
|---|---|---|---|---|---|
| Mathieu Lacroix | The Interface as an Extension of Composition in Mixed Music | Paper | 10:00 | Dokkhuset | |
| Thomas Moore | Hybrid Conductor: Case Study and Analysis of Alexander Schubert’s Point Ones | Performance paper | 10:20 | Dokkhuset | |
| Øyvind Brandtsegg and Axel Tidemann | Shape: an adaptive musical interface that optimize the correlation between gesture and sound | Colloquial paper | 10:40 | Dokkhuset | |
| BREAK | 11:10 | Dokkhuset | |||
| Franziska Baumann | "The Echo I Touch" De- & Embodiment in spatial Vocal Performance Art | Colloquial paper | 11:25 | Dokkhuset | |
| Stian Westerhus | Invited paper: Transcending the interface | 11:55 | Dokkhuset | ||
| Peter Bennett, Jordi Solsona Belenguer and Martin Murer | ImprovCues: Musical Creativity and Ideation with Machine Learning | Installation | 12:25 | Dokkhuset | |
| LUNCH | 12:40 | Cantina at Kunstakademiet | |||
| Kristin Norderval | "Electrifying Opera: Amplifying agency for opera singers improvising with interactive audio technology" | Colloquial paper | 13:40 | Dokkhuset | |
| Bruno Pereira and Pedro Santos | MIRROR Espelho meu - Performance/installation for voice, body and image | Paper | 14:10 | Dokkhuset | |
| BREAK | 14:30 | Dokkhuset | |||
| Jordan Sand | A Three-Dimensional Geography of the Double Bass | Performance paper | 14:45 | Dokkhuset | |
| Gurpreet Chana | TABLIX for International Conference on Live Interfaces | Performance paper | 15:15 | Dokkhuset | |
| Evening program | |||||
| Tone Åse | I am voice. I am technology | Performance stage | 19:00 | Cinemateket | |
| Marije Baalman | the machine is learning | Performance stage | 19:30 | Cinemateket | |
| Bernt Isak Wærstad | Ghost Doctor Duplicate | Performance stage | 20:00 | Cinemateket |